Pan Macmillan Storybook - Pose developments

The characters had to be dropped into all of the scenes in different poses, often interacting with the backgrounds Megan was designing. These poses were often based on images of us on the moors, or images I'd found from research. Each one was sketched out first, often several times to get the right angles and then redrawn in illustrator. Something I found particularly difficult was making the character consistent over each page, they always had to have the same facial structure and hair cut at every angle. This is something I would like to develop further on my own, to improve skills in character profiling.