Because
the final cover design had a large emphasis on religion, research was
made into the style of old bible work in search of inspiration.
This
book interestingly used a similar textured effect on the cover that
has been used in the In Cold Blood cover designs developed, it has a
rough texture that had been creased slightly to give it realistic
wear. This has worked fairly well although it makes it fairly
disappointing when you feel the smooth surface of the cover. For my
own designs I would specify that the card used for the cover would
need to be a matte card, not one that has been glossed.
Looking
on the inside it is clear that the old scriptures are very focused on
structuring the pages and making them consistent, through pencilled
grids. This links to balance and emphasis I have balanced on making
the cover and front balanced.
This
deign also uses a similar colour pallet which confirms the link to
the religious aesthetic. A common colour used throughout is a deep
red tone, which I have replicated with a deep purple- adding an
element of originality.
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