For
the final design I used these colours:
This
was to branch away from the common use of red, white and black and
create a more classic aesthetic. The deep purple derives from the
original Jesus painting and the cream comes from the scan of the
watercolour paper, giving it a slightly aged look. I decided to make
the painting black and white in order to convey how it was past
events being documented (similar to how in the original cover the
blood was deepened because it was old blood.) I also had to consider
how the mugshot and the painting would interact with each other, by
making them both black and white it meant they worked better
together.
The
typeface for the cover was Adobe Garamond Pro and blurb used Garamond
in order to convey the serious nature of the book and maintain a
classic aesthetic. By having it small and organised in a hierarchy it
became balanced with the image and didn't detract too much attention
away from the images.
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